AS A FASHION DESIGNER  MY WORKS ARE HIGHLY FOCUSED ON EMBROIDERY AND DETAIL. MY STYLE IS  INFLUENCED LOT BY  VICTORIAN AND BAROQUE ERAS COMPLETING IT WITH ADDING BIT OF  FUTURISTIC GLITCH AS SLIGHT FRICTION, DISTORTION ELEMENT USING CONTEMPORARY EMBROIDERY FASHION.

I VISUALISE  MY PROJECTS AS A CONCEPT OF  FORGOTTEN GARDEN THAT IS ORGANICALLY GROWN OUT OF ITS CONFINES AND BLOSSOMED INTO AN IMPRESSIONISTIC PAINTING.

MY APPROACH AS AN ARTIST IS ANCIENT YET ALIEN. ALMOST LIKE ITS NOTHING NEW IN THIS WORLD BUT WE FIND OUR UNIQUE WAYS TO EXPERIENCE IT OVER AND OVER AGAIN.

AS A FORMER GLASS ART STUDENT I FEEL A STRONG CONNECTION TO THAT MATERIAL. CRYSTAL BEADS AND NATURAL GEMSTONES ARE INCREDIBLY SATISFYING TO WORK WITH. I TEND TO COMBINE  WIDE PALLET OF COLOURS AND VARYING BEADS THAT DANCE, SHIMMER, AND BALANCE EACH OTHER OUT WITH EASE. A MYRIAD OF TONES AND TEXTURES ARE SUBTLY USED ALL THROUGHOUT TO CREATE A WEARABLE MOSAIC THAT SPARKLES AND BREATHES CHOST LIKE  CATCHING THE LIGHT AND MOVEMENT.

TAMBOUR/LUNEVILLE EMBROIDERY  IS IN MY MAIN FOCUS AS MY MOST WIDELY USED TECHNIQUE. IT ALLOWES TO STRUCTURALLY 3D "PAINT" SEQUINS AND BEADS TO GARMENTS WITH EXPRESSION AND PRECISION.

FEELING OF HEAVYLY  BEADED GARMENT AS WEARABLE PIECE OF ART HUGGING  BODY IS EXQUISITE.